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• It's the sunshine that makes it • When retouching the five key visuals for this Linderman's campaign, I was able to use Photoshop to simulate the effects of li...
• Start Your Evening • As lead retoucher this was by far the most labour intensive campaign I have worked on to date. The workload included eleven key visuals and...
• Share a Coke • A fantastic opportunity for me to work on the "Share a Coke" campaign. We worked with the amazing photographer Ray Massey and his in-house reto...
• Easter Packaging • For this project I was given the fantastic opportunity to work with established agency TogetherDesign. I was briefed to create the Easter ...
• Elliot's Field Launch • My role for this retouch was to create an elegant and stylish image to launch the opening of Elliot's Field. I used a blend of stock and...
• We love you so • Whilst freelancing at the Ministry of Sound I was asked to create a visual for their Valentines day event at the club in central London. It wo...
• Serious Bacon Club • Whist freelancing at Isobel I was asked to help create online content to promote Danepak's, Serious Bacon Club. This content included onl...
• Retouching & Packaging Artwork • Adult toy company, Je Joue required a re brand in marketing their products. My role was to create the main image that would be...
• Crazy Colour • This simple but visually impactful key visual was created to promote the limited edition bottle for J&B. The main work on the visual was the her...
• Shake & Share • As lead re-toucher on this project it was my job to create the two key visuals. I worked closely with the designers and art directors across sev...
• Add Colour To Summer • My role on this campaign was to create the different serve and bottle compositions for the multiple key visuals. This involved a lot of c...
• Feel Good • The main challenges I faced on this re-touch was to colour balance the different supplied and sourced images and to ground them to the vector rib...
• Colour Me Happy • My role on the Colour Me Happy campaign was to create the four main key visuals that would be used for all the print collateral and eve...
• Chocolate Luxe • Working with the Key image produced by TAG my role was to apply it to all the Instore POS. This involved working directly with the printer to h...
• Breakfast Biscuit • Using a mixture of stock and supplied imagery, my job was to re-touch and artwork four key visuals for the new breakfast biscuits for McV...
• Packaging Artwork • The full range of Clipper envelopes and packs for their new launch in Germany. Working with the original packaging design from Big Fish, my ...
• White Space • Working with the agency, 'The Bank', I artworked 48 sheets, golden square billboards and national press ads. The main brief was to keep con...
• Unnecessarily Well Made • Along side the art director and other designers, I helped create the pitch boards that won a new client for the agency. Our main bri...
• Its Miller Time • Working with initial scamps from the Creative Director, I was part of the team that created the pitch winning visuals that enticed a new cli...
• Active Kid • Most of the Sainsbury’s projects I artworked involve working with sponsors and collaborators like the Paralympics and DreamWorks so it was param...
• Urban Surf • One of the biggest experiential campaigns Initials has worked on. A huge portable wave machine in the middle of central London (BroadGate Centre). ...
• Rewarding Recycling • For this project I created the key piece of art work of the campaign. Its a comp shot of of different recycling paraphernalia. I also art...
• Wishes Workshop • Iv been lucky enough to work on two Cadbury projects over the last year. First one was the Wishes workshop an experiential piece where chi...
• Quality Time • Here are two visuals I created for another pitch winning concept. Working closely with scamps from the Creative Director to express the idea we w...